(originally published 3/29/11 in KnightBlog)
If you haven't visited the N'Namdi Center for Contemporary Art since it opened in the Sugar Hill Arts District last October, now's an excellent time. The splendid, 16,000 square foot facility is currently hosting its first curated show, New Departures and Transitions: Medium, Materiality and Immateriality. (Additionally, there are three other shows by individual artists on display in auxiliary galleries, each of which is worth a look.)
Curated by critic and College for Creative Studies instructor Michael Stone-Richards, New Departures and Transitions exhibits work by more than fifteen artists, some local, some national. (It's interesting, though, how the show succeeds in breaking down geographic distinctions; Industrialization, shown below, is by the New York artist Chaikia Booker, but its chaotic texture and sense of post-industrial anxiety look like something straight out of the Cass Corridor.)
The many, disparate works on display are unified by a shared sense of self-conscious materiality. They insist that you consider the materials used in their construction (tires, cable ties, encaustic paint, video, papier-mâché, and much more) as essential components of their meaning (or, in some cases, as their meaning).