Wednesday, March 23, 2016
Sunday, March 13, 2016
(originally published 3/13/16 in Essay'd)
Scott Northrup’s recent temporary installation Hämeenkyrö, Mon Amour (2015) was comprised of text projected onto the landscape near the town of Hämeenkyrö, Finland, at sundown. For about thirty minutes, excerpts of scripted dialogue from Alain Resnais’sHiroshima, Mon Amour and several movies by Finnish filmmaker Aki Kaurismaki, as well as Northrup’s own writing, crawled across the vast, darkening plain in what the artist refers to as a “love letter” to the beautiful, welcoming place he’d come to know after a month-long residency there. If the scale of Hämeenkyrö, Mon Amour is notably ambitious, its sense of near-boundlessness is fitting for a conceptual artist whose work will be confined to no medium. And in its public display of intimacy, its deep roots in both personal experience and popular culture, and its tightrope dance between immateriality and physicality, it is classic Northrup, scaled up.
Thursday, March 3, 2016
Last week I hosted LEAP NIGHT, a screening of seven short dance-for-camera films at Play House in Detroit. Play House, developed by Power House Productions, is the home of experimental performance group The Hinterlands, who invited me to curate a selection of historic dance films. (Well, six are historic, and one is a more recent, local production.)
It was so great. Great turn out (about 30 people showed up, just enough to fill the room), great energy, great opportunity. My pal Sarah Rose Sharp published a really nice write-up about it in KnightArts.
As I was preparing the program, I couldn't shake the feeling that I ought to write something about what I was showing, hence the following notes, comprised of a brief paragraph about each film, as well as a collage by the one and only Michel Francois Soucisse!
(click images to enlarge)
(If you haven't seen any of the films, they're all available to watch for free somewhere online, whether Youtube, Vimeo, or Ubuweb.)