|Autumn, 1995, oil, canvas, wood, 33 in x 38 in|
(originally published 9/13/17 in Essay'd)
Scientific knowledge is one of the many distinct elements that come together to form Eleinko’s ever-evolving universe. Others include a fascination with the natural world (particularly plant life and natural disasters), a tendency toward certain shapes (bars, lines, Xes and triangles proliferate), and a consummate craftsman’s concern with construction and form. In an age of increasing interdisciplinary promiscuity, Eleinko is a monogamous maker. He labors daily in the full-to-brimming Corktown studio he has occupied since 1988 over canvas, paper, wood, and found objects—arranging, considering, painting, and building. As a painter, he is part of an influential movement of artists who reconceived the painting in sculptural terms, as a constructed object—who remembered, for instance, that canvas is a malleable material, confined to the familiar shapes of square and rectangle only by stretcher bars and convention.